Time and again, I keep reading on the internet that cardioid gradient arrays (also known as CSA), lack impact and suffer from time smearing. I can’t help but feel that this prejudice is unwarranted.
In this article, I will elaborate once more on why this notion might be unjustified.
One of the biggest challenges every new generation of sound engineers appears to struggle with is learning how to phase align subwoofers to mains. A quest which at one point in my early career felt like impossible.
In this article, I will disclose the method which has been working flawlessly for me in the past couple of years. It's a two-step process consisting of a relative and absolute part.
If you lookup group delay on Wikipedia, you'll find the following definition:
"Group delay is the time delay of the amplitude envelopes of the various sinusoidal components of a signal through a device under test (DUT)."
Where various can be thought of as assorted or mixed.
The first time I read that, my initial thought was: "Come again?". I mean seriously, what does that even mean?
During the past three years, this long-dreaded article has been slowly taking shape in my mind. Finally, I have found the courage to write it because frankly, I don't know if I even understand it myself. So here goes nothing.
"Blindly accepting a transfer function without knowledge of the details of the time record that produced it is all too common, and using such can make good gear perform poorly"
- Pat Brown -
This quote by Pat Brown of SynAudCon (among others) was brought to my attention by fellow instructor Fedele De Marco who posted it on his Facebook page Il Lato Oscuro della Fase (The dark side of phase).
Pat Brown makes a good point that inspired me to write a series of articles about the considerations involved in determining the appropriate length of a time record and why some FFT analyzers make use of multiple time records at once.