In this video I explain why the delay locator hardly ever locks on to the impulse response of the subwoofers and if it succeeds, it's unlikely it syncs to the very frequencies we're trying to align our main speakers to.
Commissioned by Ampco-Flashlight Sales I was asked to optimize and tune the sound system in the small multipurpose hall of the new Atlas theater in Emmen (NL). The sound system was specified by Steven Kemland of Theateradvies comprising:
Please continue reading for the complete process.
There appears to be a lot of controversy regarding the workings of the L-Acoustics cardioid configuration. It's been suggested that it is achieved by means of all-pass filters. Is it a gradient or end-fire solution? In part 1 of this series of articles I will try to explain what I have come to think of as a hybrid approach.